September 8th, 2010 — Street Law Tagged Download Street Law Online, Stream Street Law, Street Law, Street Law Streaming, Watch Street Law Online
A vigilante is impartial a man lost in the slouch for his possess gratification. He can be destroyed, or locked up; but if you perform yourself more than objective a man, if you devote yourself to an ideal, and if they can’t finish you, you become something else entirely.
Henri Ducard – Batman Begins (2005)
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I’m as furious as hell and I’m not going to hold this anymore!
Howard Beale – Network (1976)
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Can’t you people prefer the law into your possess hands? I mean we can’t be policing the entire city.
Chief Wiggum – “The Simpsons”
Street Law (1974) aka Il Cittadino si rubella aka Vigilante II…directed by Enzo G. Castellari (High Crime, Keoma, Bronx Warriors 2), the film stars approved Italian actor Franco Nero (High Crime, Keoma, Force 10 from Navarone, Die Hard 2: Die Harder) . Also appearing is Giancarlo Prete (Mister X), Barbara Bach (The Leer Who Loved Me, Caveman), Nazzareno Zamperla (Ballad of Death Valley), Massimo Vanni (The Unique Barbarians), and Romano Puppo (The Heroin Busters) .
The film begins with a four and a half tiny expose of various criminal activities including breaking and entering, vandalism, arson, theft, armed robbery, kidnapping, and destroy…seems the criminals are running rampant and the authorities can do small to terminate them. After getting all that out of the contrivance we glance a well-dressed man entering a bank and fade to buy in some sort of transaction. Shortly after a gang of vicious masked gunman do the scene, manhandling patrons and bank employees alike. The well-dressed man, named Carlo Antonelli (Nero) tries to grab his dough on the counter, but gets brutalized by the robbers, who then grab him up (presumably as a hostage) during their getaway to which they beat the crud out of him in the car. After a lengthy high run flow sequence the robbers hasten, leaving a bloodied Carlo gradual, stunned and humiliated by his ordeal. The authorities give Carlo a hard time for defying the robbers, and when their efforts to fetch the criminals comes up seriously short, Carlo decides to buy matters into his bear hands in bringing the offenders to justice, distinguished to the alarm of his girlfriend Barbara (Bach) . After some failed attempts to procure information from any number of underworld types, Carlo eventually resorts to blackmailing another crook named Tommy (Prete) to abet him in his obsessive quest (Carlo stalked the man and eventually took some incriminating photos) . Eventually Tommy and Carlo gain up to the unusual crooks, which results in Carlo receiving another beating, but afterwards Carlo comes up with a convoluted conception to finger the crooks and cause a public race, along with forcing the police to crack down on criminal activity in general. Eventually the crooks force a showdown with Carlo, one they’ll do obvious he doesn’t swagger away from…
While this film was most likely inspired by the well-liked Charles Bronson feature Deathwish (1974), it tends to follow a slightly different route in that Nero’s character spends an dreadful lot of time stalking criminals for the purpose of collecting information to portray to the authorities in the hopes they’ll actually act (Bronson’s character actively sought out to order some hot-leaded justice) . This results in Nero’s character grousing constantly about how the authorities are ineffectual (apparently a celebrated sentiment in Italy at the time) and espousing how the celebrated man needs to stand up to the lawless (the Italians seem to like to spell out as mighty as possible for audiences), receiving numerous beatings, eventually turning on his attackers only when they forced his hand. As a result, the film starts off lickety-split, slows down in the middle, and then picks up again in the last twenty minutes or so…there’s a whole lot of time spent as Carlo sets up Tommy so he can exhaust him as an underworld source, along with their setting up the whole diagram to force the authorities to effect pressure on the thugs. I did learn quite a few things, though, including the following…
1.Franco Nero’s got spooky eyes.
2.When robbing a bank, it’s advisable to hold the getaway car nearby as if you have to speed a quarter of a mile to score to it, that only eats up principal sprint time.
3.In Italy you can be arrested for insulting a public official.
4.Italians don’t seem to be adverse to smacking women upside the head.
5.Franco Nero positive does like to smoke.
6.In Italy you can be arrested for simulating a crime.
7.The lines painted on Italian roadways designating lanes seem to be there only for decorative purposes.
8.In Italy, three time losers (criminals who are caught and convicted three times, of felonies, I’m guessing), are sent to prison for life.
9.Franco Nero is a master of expressing shock and scare, even when it’s unwarranted.
10.Getting shot in the meaty fragment of the thigh is apparently infinitely more painful than getting shot in the kneecap.
11.Beating someone repeatedly about the face with a shovel causes a lot less distress than I would have expected.
12.You can actually obtain film that runs an hour and forty minutes with only two bits of music played over and over again (although I wouldn’t recommend it) .
As far as the performances go, Franco Nero emotes the hell out of his role, for better or worse…I’m not a vast fan of actors wearing every emotion upon their sleeve, but at least it was attractive. He does deserve a lot of credit for his athleticism as he seemed to really consume to performing many of his absorb stunts, some of them appearing quite hazardous. As far as the rest, they did all correct (for an Italian made crime drama), although I’m unsure what the point of Ms. Bach’s character was other than to provide a shapely face and continually harp on Nero’s character like his conscience advance to life. Castellari does manage to retain things absorbing along (the first fifteen minutes are a blast) and overall I opinion this an exciting entry into the vigilante genre, I felt it could have done with a itsy-bitsy less character development around the middle. This is the new version that played in Italy before it was transported to the states with some of the violent bits removed. I did like the theme song passe in the film, but after hearing about thirty times it tended to wear a slight.
The recount quality on this Blue Underground DVD release, presented in widescreen (1.85:1) anamorphic looks decent, but does include some flaws. There is a grainy quality throughout, one that ranges from limited to heavy at times, but I dealt with it telling myself it sort of corresponded with the gritty and sometimes raw material. The audio, presented in Dolby Digital mono, is a dinky uneven at times (the music often blares, while some of the dialogue is difficult to hear during the quieter scenes), but all in all came through well enough. As far as extras there’s a commentary track with director Enzo G. Castellari, a featurette titled `Laying Down the Law’ (17:27) which includes modern interviews with both director Enzo G. Castellari and star Franco Nero, the latter who seems to have veteran better than expected, a theatrical trailer, and a television situation. While watching the interviews with Castellari and Nero (these two seem to care for on each other quite a lot), there’s a really laughable bit where Castellari talks about working with Barbara Bach, basically stating that while she wasn’t a astronomical actress, at least she was punctual…
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Alright, this is now the third time I’ve written a review for this film. My first two weren’t posted and God only knows why, but hopefully this one will be. I’ll be remarkable more brief if that’ll benefit. Street Law is an Italian(section of Blue Underground’s Enzo Castellari triple feature) Death Wish inspired crime thriller. Franco Nero’s a victim of a beating and decides to win revenge when the police waste up being useless. Nero does a colossal job(some fabulous facial expresssions) as a far from perfect vigilante. Highly recommended for fans of the Italian style. Sorry this isn’t a more detailed review, but frankly, I’m sick of writing it over and over.
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September 3rd, 2010 — Treasures - The Czar's Faberge Eggs Tagged Download Treasures - The Czar's Faberge Eggs Online, Stream Treasures - The Czar's Faberge Eggs, Treasures - The Czar's Faberge Eggs, Treasures - The Czar's Faberge Eggs Streaming, Watch Treasures - The Czar's Faberge Eggs Online
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September 3rd, 2010 — The Talented Mr. Ripley Tagged Download The Talented Mr. Ripley Online, Stream The Talented Mr. Ripley, The Talented Mr. Ripley, The Talented Mr. Ripley Streaming, Watch The Talented Mr. Ripley Online
When picking out films to watch, I usually gravitate toward the “tiny” independent type of film usually avoiding the larger “major” productions. Thus, I avoided “the Talented Mr. Ripley” up until recently. My mistake! “The Talented Mr. Ripley” is outstanding and has, to me, everything a movie should have to get it the “complete film experience”-great script and direction, gargantuan acting, astonishing sound tract and aesthetic cinematography. This film has it all!
The acting, by all of the actors, is edifying. Matt Damon, as Tom Ripley is outstanding. He portrays a very complicated character believably. At no time are you aware that he is acting. This character does things that are, indeed, despicable; however, due to the acting skills of Damon, I actually liked the guy and felt deep sympathy and empathy for him and for his desire to be someone else
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(I consider we all have been there-at least I have-fortunately all of us don’t do what Tom Ripley does, in the film, to conclude our wishes) . To me the last scene of the film is extraordinary and heart breaking due to Matt Damon giving a gut wrenching performance–the character Tom has finally found someone to worship, and has found someone that accepts him as himself but due to past deeds and the need to retain his past hidden, he has to destroy the person that could have brought him like and happiness. As usual, Jude Law, as the playboy and errant son Dickie, is awesome. He plays a cad but due to his acting skills you, like this cad. Gwenyth Platrow gives a “knock-em dull” performance, as Dickie’s girlfriend starting out as a plastic rich “air-head” and ending up as the only one that really knows what has happened to Dickie when he has disappeared and becoming a completely different person because of that knowledge. Her knock down spin out with the character Tom is gargantuan. Cate Blanchett plays a socialite- debutante-type wonderfully. The acting alone would have made “The Talented Mr. Ripley” a expansive film; however, there is more!
The film has one of the best sound tracts that I’ve ever heard. The sound tract makes spend of Renaissance Church music, so-called “Classical music” “frosty” jazz and one of my favorites I (if not my well-liked) pop standards-”My Comic Valentine” sung wonderfully by Matt Damon. The sound tract is blooming! What impressed me the most is that Matt Damon and Jude Law took the time to learn to really play the instruments that they were narrate to be playing in the film-Damon, the piano and Law the saxophone. One of my approved scenes is in the smoked filled American-jazz nightclub–fabulous.
The recreation of 1950-era Italy is tall and it is shot beautifully.
If you want to have an appetizing film experience, bewitch this film
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Minghella’s sleek, blooming movie version of Patricia Highsmith’s classic fresh of suspense is near-perfect. The fable, plot in and around splendid Italian coastal hot spots, circa the 50s, remains new and infinitely compelling; the main character, Tom Ripley, is that spirited mix of vulnerability and psychotic killer, mighty like Norman Bates in Psycho. Matt Damon does his best with this role; casting him I contemplate was the film’s one half misstep — Damon exudes such a glamour and self-possession that it is difficult to wholly lift his insecurity, though adding more than a hint of homosexuality does mighty to obtain him more believable. The other performances, however, are riveting. Philip Seymour Hoffman is perfection as a quick-witted, slick, unfavorable friend of Dickie’s; Cate Blanchett, an added character, is though-provoking, droll and heartbreaking, too; Gwenyth Paltrow, often overlooked in the reviews for this film, is spectacular in each and every scene, conveying the privilege of her class and also her near-desperate need for Dickie’s appreciate. But Jude Law emerges as a superstar in the movie — he has the matinee-idol observe of 50s stars, and does an extraordinary job of creating Dickie Greenleaf, that kind of lustrous, sexy person, someone who has it all, with a cavalier indifference to those who like him most. The musical pick up is evocative and bewitching. The opening credits, an artistic risk, place up, with glossy, hynotic camera work, a film that will often leave you breathless. A thinking man’s thriller, one that is not easy to forget.
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August 20th, 2010 — One Special Night Tagged Download One Special Night Online, One Special Night, One Special Night Streaming, Stream One Special Night, Watch One Special Night Online
Julie Andrews and James Gardner are at their very best in this charming holiday legend of two lonely people finding their plan to each other after the loss of their respective spouses to Alzheimer’s and heart disease. Julie plays a fiesty surgeon who values her independence. James plays a construction foreman with a few conventional notions about what women can/can’t do, and the clash is inevitable! It’s hilarious, sweet, and amusing all at the same time. You’ll Care For watching this video and will surely want to add it to your personal collection. It’s a classic for Julie Andrews fans!
I only came across this gorgeous slight television movie a few months ago but after a viewing last week I can honestly say it’s a pleasure to welcome Julie Andrews wait on in the kind of acting vehicle which suits her perfectly. Reteamed with aged actor James Garner for the third time this pair of experienced movie pros work wonders with a touching and quite conception provoking legend about loss in its many forms and how different people tend to handle it. Filmed in a cold Montreal “One Special Night”, takes us into the lives of two very different people who’s lives have taken some unexpected turns for the worse and how during the lead up to the Christmas season these two individuals happen to gather not only each other but also themselves at the same time. Romance between two older people hasn’t been portrayed on hide as well in a long time and Julie Andrews and James Garner reveal that extraordinary chemistry that they enjoyed together so well in their earlier teamings in “The Amercianization of Emily” and in “Victor/Victoria”.
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As the chronicle opens we rep these two individuals, Robert (James Garner) and Catherine (Julie Andrews), living and working in the same portion of Montreal without shiny each other. Impartial as the Christmas season is getting underway Robert becomes stranded at the hospital after visiting his wife who is suffering from dementia and alzheimers due to a sudden heavy blizzard. Hospital worker Catherine impulsively offers him a occupy home in her car and to say the pair immediately have a clash of wills is an understatement as they disagree on everything to do with life and people however the pair face an even worse scrape when Catherine’s car slides off the road and the pair become lost. After an comic sprint on a tractor the pair look refuge in an unoccupied cabin and are forced to discontinue the night there as the blizzard increases in ferocity and communications have been slice. However after the initial antagonism the pair; so very different in every intention, over the course of the evening obtain a big source of comfort in each others company as they talk about their families and their acquire lives and especially their partners, in Robert’s case a terminally sick wife and in Catherine’s case her deceased but grand missed husband. After spending the evening in the cabin the pair are finally rescued in the morning by Robert’s son in law and they get a date to meet in a week’s time at a coffee house they both know. However the best laid plans often go astray and the day they are due to meet Robert’s wife dies and Catherine believes he decided against further contact. It takes the approaching delivery of Robert’s grandchild to finally reunite the pair unprejudiced as Christmas begins when at the hospital Catherine finally discovers the staunch reason why Robert didn’t come at the coffee house. All ends happily when the dependable birth of the child at which Catherine is demonstrate cements the future relationship that this couple never expected to have happen to them at this supposedly “slack” period of their lives
Despite the account of “One Special Night”, being opened out with an examination of the family problems among the siblings of James Garner’s character this film is very distinguished a two character eye from beginning to raze. I often feel that because of her improbable musical talents and her large string of successes in that situation with classics like “Mary Poppins”, and “The Sound of Music”, Julie Andrews’ dramatic abilities are often strangely overlooked. You only have to go encourage to the first collaboration between Julie and James Garner “The Americanisation of Emily”, to scrutinize what she was well-behaved of if given a strong dramatic role. Here in “One Special Night”, she is again given a similiar opportunity to shine dramatically and as in her work in another earlier television movie she made with Ann Margaret titled “Our Sons”, which dealt with the effects of A.I.D s on two families she proves what a safe dramatic actress she truly is. As the lonely Catherine composed not dealing with her husband’s passing she is both strong and vulnerable and is always very identifiable to anyone who has suffered a similar loss. Her chemistry with James Garner in “One Special Night”, is shiny as always and it is a credit to these two gifted performers that their three films together have all been so different in hiss and the demands they have placed on them as performers with both coming up trumps each time. James Garner gives I gain one of his finest fresh performances and is on a par with his superlative work in the tragic television movie “Heartsounds”, which he made with Mary Tyler Moore many years help. The screenplay despite dealing with a Christmas themed yarn never shirks from displaying accurate human emotion and the romance between Catherine and Robert is never a level-headed sailing affair but is one that experiences numerous misunderstandings and crossed signals that do threaten to extinguish the connection these two older people have made with each other. “One Special Night”, abounds with many heavenly moments that will touch your heart, some standouts being Julie/Catherine’s venture into the coffee shop to hopefully meet up again with Robert to enjoyed the establishment’s distinguished chocolate chip pancakes only to miss Robert who is called to the hospital by his wife’s deteriorating condition, and especially when Catherine arrives at the hospice to exercise time in her tedious husband’s room as she often does only to be told the room is now taken by a unusual patient indicating that life outside her puny world is bright on. The glance of this television film is also one of its very special qualities with the city of Montreal itself playing a stout role in providing the type of chilling environment that is the primary crux for how these two people meet, exhaust time together, and gradually drop in savor.
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Veteran performers Julie Andrews and James Garner are objective at the lawful age now to acquire this romantic fable both touching and very believable. Both their characters in the screenplay are not perfect and to a definite extent are comfortable in their ways and routines when their characters unexpectedly meet. “One Special Night”, is really your perfect Christmas yarn but it does go far beyond simply celebrating the festive season in it’s legend. It instead gives a detailed examination of human resilience in times of tragedy and through periods of loneliness. Certainly it celebrates the plan that opposites can attract and its strong message that worship can unexpectedly rep you at any age is a welcome relief in our show youth oriented society. Julie Andrews is always a delight on conceal and teaming with pal and faded co star James Garner the two create a memorable veil team yet again in role svery different to their previous collaborations. For the perfect Christmas yarn laced with romance and warm feeling you can’t go past the touching “One Special Night”. Appreciate!
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August 20th, 2010 — The Berenstain Bears - Always Look on the Bright Side Tagged Download The Berenstain Bears - Always Look on the Bright Side Online, Stream The Berenstain Bears - Always Look on the Bright Side, The Berenstain Bears - Always Look on the Bright Side, The Berenstain Bears - Always Look on the Bright Side Streaming, Watch The Berenstain Bears - Always Look on the Bright Side Online
Got this for my nephew: and all I have to say is, THIS IS A CLASSIC!
OOPS THEY DID IT AGAIN
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LOVE THESE BOOKS AND MOVIES….CHILDREN LEARN A LESSON WITOUT Shimmering THEY ARE BEING TAUGHT
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August 18th, 2010 — Beaches Tagged Beaches, Beaches Streaming, Download Beaches Online, Stream Beaches, Watch Beaches Online
This may very well be the saddest movie I have ever seen in my life, but it is also one of the best. If you have not seen it yet, I highly recommend that you do. It tells the tale of two young women who meet when they are 11 years ragged. At a look, they seem like two completely different people, but in the raze, it’s their strong devotion to their friendship that do them so cessation. Bette Midler does an valid job in her portrayal as CC Bloom, a feisty redhead who is sure to succeed in music and will do almost anything to do so. Hilary Whitney, played by the talented Barbara Hershey, is a still, reserved woman who often finds herself jealous of CC’s rising success. CC and Hilary may be very different, but they grow even closer when Hilary gives birth to a child–a dazzling cramped girl named Victoria. When Hilary becomes diagnosed with a fatal disease, she is forced to search her soul and strengthen her relationships with CC and Victoria. Throughout the movie, CC and Hilary go through many difficult times, but in the waste, their friendship prevails. I definitely recommend this movie to everyone, but don’t quiz to have dry eyes at the extinguish! It will invent you laugh, it will obtain you yowl, and it will touch every share of your heart. It really does explain that even though two friends may be very different from one another, and even though they may go through a lot of rough times, it is the strength of their friendship that will be the decisive element. Go ogle this movie–you won’t be sorry!
Beaches is one of the best movies I have ever seen, it is one of my popular. I have never seen such a piquant film about friends, and the trials and tribulations, the joys and fears, that go with the friendship. The music, is top-notch. By far Bette’s best music to date. On many tracks there is a resonance of sadness in each trace. The standout obviously is the classic ballad “Wind Beneath My Wings”, very uplifting, dismal, but joyous at the same time. I sang it at a friend’s funeral a few years ago. “Baby Mine”, “The Friendship Theme” (instrumental) and “I Assume It’s Going To Rain Today” are all unlit songs, that do you contemplate on life (along with “Wind Beneath My Wings”) and realize how precious and short our lives are, and how we shouldn’t bewitch it for granted. The fun side is shown through songs like “I’ve Serene Got My Health” and “Otto Titsling”. I also really like the veil of the Dolly Parton song “I Know You By Heart”, its on Dolly’s 1987 Rainbow album (out of print) and its a duet with Smokey Robinson. Overall though, this is a delicate album to listen to, its fair brimming with quality material and talent. I also suggest you accompany this cd with the movie, absolutely a must sight if you haven’t seen it yet!
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August 17th, 2010 — Sherlock Holmes Collection Volume 3 Tagged Download Sherlock Holmes Collection Volume 3 Online, Sherlock Holmes Collection Volume 3, Sherlock Holmes Collection Volume 3 Streaming, Stream Sherlock Holmes Collection Volume 3, Watch Sherlock Holmes Collection Volume 3 Online
Ever since a child I have always been enraged when these films were shown on TV. I have recieved the first collection and it lives up to expectations, represent quality and sound are helpful. In this third series is one of my favourites, ‘Terror By Night’ again we seem film stock frail as in many of the series. If you notice carfully at the open there is stock also weak in Universals masterpiece ‘The Dusky Cat’ where there is footage of the announce being loaded. With the twelve Universal films being restored to beneficial condition all I can hope now is UCLA give the same treatment to the two eariler Fox studios titles ‘The Hound Of The Baskervilles’ and The ‘Adventures Of Sherlock Holmes’. The only gripe we can have with these collections is the lack of DVD extras. If your a fan of Sherlock Holmes, then there is no better than the films made by Rathbone and Bruce.
Four more classic Sherlock Holmes mysteries from the vaults of Universal Studios. Somewhere in the 12 film series, the master detective simply had to solve a mystery within the claustrophic atmosphere of a dispute (the perfect setting for intrigue), and he does it here in “Apprehension By Night.” The equally inspiring “Pursuit to Algiers” finds Holmes and Watson on an ocean liner. Despite these recent and consuming settings, the best film in this area is “Woman In Green.” The chauvenistic sleuth was often at his best when matching wits with the opposite sex, but what makes this entry particularly outstanding is the appearance of Henry Daniell as Professor Moriarty. The brilliantly saturnine character actor had already made two appearances in the Holmes series but here he tackles the role he was born to play.
“Dressed to Raze” is the last film in the series and, not surprisingly, it shows signs of fatigue, but Rathbone is as lustrous as ever.
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August 14th, 2010 — Gun Crazy Tagged Download Gun Crazy Online, Gun Crazy, Gun Crazy Streaming, Stream Gun Crazy, Watch Gun Crazy Online
Over the years, I had seen the striking, lurid poster for “Gun Crazy” in various film books ( nicely rendered on the DVD mask ), but I had never actually seen the movie. Well, the movie knocked me out! This has to be one of the greatest “B” movies of all time. It was also briefly titled “Deadly is the Female”, very “film noirish” and appropriate.
I will not converse too many details about the plot–other reviewers have covered it extensively ( perhaps in some cases too extensively ) . Bart Tare ( John Dall ) has had a passion for guns his whole life. At a carnival, he meets a sideshow sharpshooter from London, Annie Laurie Starr ( Peggy Cummins ) . They are soon sharing not only a passion for guns, but an intense passion for each other! Falling under the spell of this charismatic, young blonde–who craves excitement, action and the finer things in life–Bart is drawn into a cross-country crime spree that escalates from robbery to abolish.
As one of the best “femme fatale” types in film history, Peggy Cummins gives a rivetting performance. You can’t select your eyes off her, as she fanatically plunges down a road from which there is no return, taking the man she loves with her. Her character steals money–Ms. Cummins steals the movie! As Bart, John Dall is rather stoic and one-dimensional until later in the film, when he realizes the damage he is causing others, including those who were stop friends. His performance really picks up in the later scenes. Incidentally, Bart as a youth is played by Russ Tamblyn, later to spark a number of movies with his dancing and acrobatic skills.
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The other “star” here is the Director, Joseph H. Lewis. His come is refreshing and innovative. I particularly liked the scenes where you–the audience–are in the attend seat of the getaway car during a heist. You cannot benefit but wonder how considerable later films like “Bonnie and Clyde”, “Badlands” and “Natural Born Killers” were influenced by this low-budget masterpiece?
I also liked the plan that Lewis depicts the sexual overtones of his characters and situations, remembering that this film was first released in 1949.
Concerning the narrate quality of the DVD, I gape that one reviewer had some problems with the image. Personally, I found the gloomy and white relate to be crisp and certain, especially for a film now 55 years veteran. The optional comments of author/film buff, Glenn Erickson, are a very nice bonus.
“Gun Crazy” provides further proof that, whether it’s the 1940s or 2004, you don’t need gigantic budgets and “superstars” to manufacture a memorable film. If you have a taut script, a talented director and even one terrific performance, you can approach up with a winner. Thank you, Warner Bros!
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Gun Crazy is a epic of the symbiotic relationship between two sharpshooters: he’s a gentle soul who likes guns and loves her; she’s a psychopath who winds him up like a cheap look.
They win their method across mid-west, gain chased by the cops, destroy a few people on the device. But when push comes to shove, when the shiny money says “split up”, they can’t hold to be apart.
It’s a Pre-”Bonnie and Clyde” “Bonnie And Clyde”; a perverse mixture of sadism and sympathy.
For Afficionadoes:
Joseph H Lewis was on of those B-Movie directors who knew how to acquire his limitations into strengths. As a result there are some unbelievable camera moves, car-rigs, lighting set-ups, and all round grand cutting.
The set-piece is the one-take real-time bank robbery, shot in a town of people most of whome didn’t know anyone was making a film. It saved Lewis a day of shooting, and I haven’t seen it’s equal.
The Practicle Car-Rigs musty were novel for their time (there’s very exiguous rear-projection.
For Everyone Else:
Non-Stop and Never A Expressionless Moment.
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August 4th, 2010 — Akira Kurosawa's Dreams Tagged Akira Kurosawa's Dreams, Akira Kurosawa's Dreams Streaming, Download Akira Kurosawa's Dreams Online, Stream Akira Kurosawa's Dreams, Watch Akira Kurosawa's Dreams Online
Akira Kurosawa’s dreams are better than mine. If this is what he saw when he closed his eyes, then I can understand how from that mind sprang the Seven Samurai and the rest.
“Dreams” is maybe the most personal, most “Japanese” of Kurosawa’s films, and along with that it is perhaps the most difficult one for Western audiences to indulge in. This is saying nothing against Western audiences, but many of the themes and myths on present may not be familiar, and the imagery and metaphors may be lost without the appropriate background. I definitely appreciated it more after living in Japan, and becoming familiar with the countries folklore and literary story-telling style. Hina Dolls, the Yuki Onna, the mountain villiges like islands of tradition amongst concrete novel Japan…
“Dreams” is gorgeous, on a purely visual level. The cinematography is handsome and the colors and light are displayed with the watch of a painter. It is appropriate that Van Gogh plays a role in one of the many dreams. Like Van Gogh, the stories in “Dreams” are expressionistic and incandescent, yet with the subdued emotions that is the hallmark of Japanese literature. This is not the wild, raw statement of a younger Kurosawa.
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Story-wise, the dreams play with the themes of death and loss, both human and of nature. The displacement of Japanese forests, the lack of safety standards at nuclear power plants, the loss of used Japan, the pointless loss of lives in war…gloomy themes at best. Yet at the destroy, hope is offered, in a runt nook and cranny, like a flower aesthetic amongst concrete.
The DVD itself is a puny disappointment, and I would rather have this belong to the Criterion Collection, but better to have it than not have it.
This film has in it some of the most comely cinematagrophy I have ever seen. If reviews where it is criticised as being plain or arrested anguish you as to whether you should rent or select it I would deem it like this: if the plan of walking through an art gallery and taking several minutes to sit or stand in front of some pictures to fully spy and enjoy their beauty seems “dreary” or “arrested” to you then you might not like it, if you can imagine yourself enjoying watching an expresionist/art noveau/surrealist area of pictures approach to life on your tv camouflage then you might like it. I am dissapointed in those critics who can’t imagine the medium of movies having value unless they are built around a expeditiously paced linear site line. These are the same people who probably deem poetry is a bunch of rubbish and “Finnegan’s Wake” is an unreadable destroy of time. I hope and pray and fantasize that the studio that owns the rights to this movie will release it in greater numbers, tumble the designate, and (glory of all glorys) release it on dvd. It is one of the greatest movies of one of the greatest directors of all time and should be more accesible.
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July 21st, 2010 — Uncategorized
